Hsieh, Chieh-ting*, 2023.09, 'The Body That Counts: On the Digital Techniques of the Chinese Modern Dance, ' Prism, Vol.20, No.2, pp.503–516.(SCOPUS)(*為通訊作者) 參考連結(另開新視窗)
謝杰廷*, 2025.06, 'Embryonic Machine: An Analysis of the Dynamics in Contemporary Dance, ' International Workshop on Planetary Art, National Taipei University of Education.(*為通訊作者) 參考連結(另開新視窗)
Hsieh, Chieh-ting*, 2024, 'Cycles and Turns: Steve Reich and De Keersmaeker's Violin Phase, ' Conference of Taiwan Society for Music Studies and Taiwan Musicology Forum, Taiwan Society for Music Studies.(*為通訊作者) 參考連結(另開新視窗)
謝杰廷*, 2022.07, 'The Ghost of Writing: On the Correlation between Music Notation and Phonography from the Perspectives of Media and Culture Studies, ' 8th Conference of the Royal Musical Association Music & Philosophy Study Group, The Royal Musical Association Music and Philosophy Study Group.(*為通訊作者) 參考連結(另開新視窗)
謝杰廷*, 2022.06, 'The Body That Counts: On the Digital Techniques of the Chinese Modern Dance, ' Classicism in Digital Times Textual Production as Cultural Remembrance in the Sinophone Cyberspace, Harvard University, Goethe University, Lingnan University.(*為通訊作者) 參考連結(另開新視窗)
謝杰廷*, 2022.06, 'Notation as the Culture Technique, ' 5th Performance Philosophy Conference, The University of the Arts.(*為通訊作者)
Hsieh Chieh-ting*, 2021.08, 'Sinogram: Writing of Ancient China with Modern Dance, ' ICAS Conference 2021, Kyoto Seika University.(*為通訊作者) 參考連結(另開新視窗)
Hsieh Chieh-ting*;Chung Yu-feng, 2021.06, 'The Unnotated Beat: On the Emergence of the Rhythm, ' Transtraditional Istanbul Conference 2021, Istanbul Technology University.(*為通訊作者) 參考連結(另開新視窗)
謝杰廷*, 2019, 'The Performing Writing: Some Reflections on the Writings of Ch’i in the Contemporary Dance, ' Between Institution and Intoxication, University of Amsterdam.(*為通訊作者) 參考連結(另開新視窗)
謝杰廷*, 2018, 'Figuration under the Forces: On the Rhythm in the Chinese Traditional Music, ' Mind Wandering and Visual Mental Imagery in Music, Humbolt Universität zu Berlin.(*為通訊作者) 參考連結(另開新視窗)
謝杰廷*, 2018, 'Figure of Force: The Concept and (Non-)Notation of Rhythm in the Chinese Traditional Nan-kuan Music, ' Material Cultures of Music Notation, Utrecht University.(*為通訊作者) 參考連結(另開新視窗)
謝杰廷*, 2017, 'Dance as the Figure of Music: The Dynamics of Nan-kuan Music and Dance in Chen Mei-e’s Work, ' 44th World Conference of International Council for the Traditional Music, University of Limerick.(*為通訊作者) 參考連結(另開新視窗)
謝杰廷*, 2017, 'Weight of Time: The Empathic Perception of the Rhythm of Chinese Traditional Nan-kuan Music, ' 20th Congress of the International Musicological Society, Tokyo University of the Arts.(*為通訊作者) 參考連結(另開新視窗)
謝杰廷*, 2016, 'Sense of Rhythm, Sense of Weight: The Empathic Perception of the Dynamics of Chinese Traditional Nan-kuan Music, ' International Symposium of the International Council for Traditional Music, Musics of East Asia Study Group, 中央研究院.(*為通訊作者) 參考連結(另開新視窗)
謝杰廷*, 2016, 'Citation of Imagery: Chen Mei-e’s Representation of the Chinese Ancient Dance-Music Scenes, ' CORD (Congress on Research in Dance) and SDHS (Society of Dance History Scholars) Conference, Pomona College.(*為通訊作者) 參考連結(另開新視窗)
謝杰廷*, 2020.11, ''Perform me!' On Notation as Writing and the Endless Interpretations, ' Score: Moving from “Art as Method” toward “ALIA as Method”, Taipei National University of the Arts, pp.unnumbered.(*為通訊作者)
謝杰廷*, 2017, 'Trace of Force: Lin Hwai-min’s Water Stains on the Wall, ' Klänge in Bewegung: Spurensuchen in Choreographie und Performance, Transcript, pp.175-181.(*為通訊作者) 參考連結(另開新視窗)
